Bible and archaeology news
Archaeologists are not always the only ones to unearth the past; mother nature has occasionally been known to excavate ancient artifacts and reveal hidden ruins. Erosion and wind storms can expose antiquities and reveal entire cities once concealed beneath the ground. You may recall from this past summer when a heatwave struck the UK, showing “shadows” of buried architecture in the browning grasses. In Israel, however, it was the heavy winter rains that recently led to the discovery of a pair of rare specimens.
Following a particularly torrential rain this past December, a local resident was taking a stroll around the northern cemetery of the old city of Beth Shean in Israel’s Northern District. Looking down, the hiker noticed the top of a curious marble-white head peeking through the soil. Upon realizing her chance discovery, the woman and her husband immediately called the Israel Antiquities Authority (IAA) Theft Prevention Unit, which then dispatched archaeologists to the site.
Beth Shean has served as a critical crossroads city at the junction of the Jezreel Valley and the Jordan River Valley since the settlement was first founded in the Early Bronze Age I (approximately 3200–3000 B.C.E.). Excavations at the site under the auspices of the University of Pennsylvania in the 1920s and ’30s first revealed the cemetery on the northern mound of the settlement with interments from the earliest occupation of the site through Byzantine times.1
Upon arriving at the scene, IAA Theft Prevention Unit inspector Nir Distelfeld identified the partially-inhumed head as a limestone bust. He carefully excavated the statuary and—following a brief probing of the immediate area—quickly discovered a second, similar piece nearby.
The recent rains contributed to the exhumation of the limestone statues.
“It seems that the busts were exposed following the recent heavy rainfall in the area,” said Distelfeld. He continued, “It’s important to note that heavy winter rains can bring other finds to the surface and we call on people to report them to us.”
The natural excavation of antiquities exposes them to harmful forces such as weather damage or looters; luckily, it was a not a grave robber but a local Good Samaritan who happened upon this fortuitous discovery. The pair of heads were then taken to IAA laboratories in Har Hotzvim in order to safeguard them from theft as well to study and preserve them.
Dr. Eitan Klein, deputy head of the IAA Theft Prevention Unit, identified the two busts as protomae—funerary statuary datable to the Late Roman era (third–fourth century C.E.). These busts would have been placed outside of burials and served as grave markers in the cemetery. Although approximately 200 similar protomae are currently housed in museums and private collections from Israel to America, most were purchased from looters or on the illicit antiquities market and thus lack conclusive provenance, rendering them useless for archaeological study.
A recent exhibition curated by Dr. Avshalom Zemer at the National Maritime Museum at the University of Haifa displayed several protomae from the collection of Dr. Alexander Roche (the founder and first director of the Museum of Ancient Art in Haifa). Zemer suggests that protomae are generally schematic, although some show evidence of an attempt at a likeness. In other words, although most known protomae are rather general in appearance, some may have been attempts to reconstruct the appearance of the deceased. Not one of the protomae resembles another, each with their own facial expressions, hairstyles, clothing, and adornments. Made of local limestone, one of the busts recently discovered depicts a bearded man.
The custom of marking graves with limestone busts appears limited to only two cities in antiquity: Beth Shean and Sebastia to the south, known during the Roman era as Skythopolis and Sebaste, respectively. Most similar busts are known (or thought) to have originated from cemeteries near Beth Shean, like the one the hiker recently came across.
The earliest known protomae date to the end of the reign of Trajan (98–117 C.E.) and, according to Zemer, the custom appeared limited to the upper classes. Fine details and particular stylistic tendencies in the early busts indicate several active artisans and workshops. However, by the middle of the third century C.E., the lower classes of Beth Shean also adopted the practice—poor workmanship on some of the busts and lower-quality limestone suggest cheaper protomae available to the masses. Zemer notes that by the third century, there was a marked “decline in artistry, expressed in generalization and standardization.” By the middle of the fourth century, it appears that protomae had vanished from style, perhaps due to the spread of Christianity in Palestine.
Archaeologists separate protomae into two stylistic traditions—Roman and Oriental. Although both reflect Hellenistic iconographic forms, Roman is more reminiscent of imperial busts and memorial portraits of family ancestors, while the Oriental style exhibits Nabataean influences. Craftsmen at Beth Shean appeared to influence one another; although each statue is distinct, there appear to be general stylistic trends and shared techniques throughout the centuries of protomae production.
Klein told the Times of Israel that further excavation is being planned for the area where the two busts were found. For her good judgment, the hiker will be awarded a certificate of appreciation from the IAA.
Samuel DeWitt Pfister is a graduate student in the Department of Anthropology at the George Washington University.
1. For more information on the archaeological work at Beth Shean, see the Jewish Virtual Library’s entry on the site.
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