This Bible History Daily feature was originally published in 2015.—Ed.

The American Association for the Advancement of Science (AAAS) analyzed satellite images to document the destruction of Syria’s World Heritage sites as a result of ongoing warfare. The images here show the old city of Aleppo on December 6, 2011 (top), and on July 14, 2014 (bottom). One can observe that the roof of the Suq al-Madina has been damaged (green arrow), the minaret of the Great Mosque has been destroyed (red arrow), two craters have developed on the eastern wall of the mosque (blue arrows) and several structures in the vicinity have suffered heavy damage (yellow arrows). Images: ©2014, DigitalGlobe Analysis, AAAS.
In “Is It Possible to Protect Our Cultural Heritage?” in the March/April 2015 issue of Biblical Archaeology Review, BAR editor Hershel Shanks examines local and international efforts to address the archaeological looting and devastation of sites in the Middle East. In Shanks’s view, these efforts, while laudable, have thus far been ineffective in protecting cultural property.
Continuous conflict has left thousands of archaeological sites in Syria and Iraq—including those of the Bronze, Iron, Greek, Roman, Byzantine and Islamic periods—vulnerable. The culturally diverse ancient city of Dura-Europos, where one of the earliest Christian house-churches was discovered, has been heavily pillaged over the past few years. In July 2014, ISIS militants blew up the mosque that housed the traditional tomb of the prophet Jonah in Mosul, Iraq. According to a report from September 2014, five of the six World Heritage sites in Syria “exhibit significant damage” due to ongoing warfare.
Cultural heritage experts believe that ISIS militants have been responsible for much of the archaeological looting going on in Syria and northern Iraq since the rise of the rebel group. Criminal networks seeking to profit from the turmoil, however, are also to blame. The Art Newspaper reports that there has been a 133% rise in Syrian objects imported into the United States.
Trafficking in antiquities has been compared to other lucrative criminal enterprises, including the drugs and arms trade. Read more about the antiquities market in “Sold to the Highest Bidder: Antiquities as Cash Cows.”

The aftermath of archaeological looting is often visible in the landscape in the form of lunar-like craters. Seen here are craters at an ancient cemetery site southeast of the Dead Sea in Jordan. Photo: Hershel Shanks.
There are myriad efforts by professionals, government organizations and concerned citizens to address the loss of cultural heritage in conflict areas. The Safeguarding the Heritage of Syria Initiative is building a database to document the destruction of Syrian sites and artifacts—thus preserving at least the memory of cultural treasures. The Combatant Command Cultural Heritage Action Group trains U.S. military personnel to protect cultural property during operations. The International Council of Museums published the Emergency Red List of Syrian Cultural Objects at Risk to make art and heritage professionals and law enforcement officials aware of looted Syrian antiquities that may resurface in the art market.
In his BAR article, Shanks remarks, “While we should applaud those who are devoting themselves to protecting cultural property, there seems to be no effective means to prevent the destruction amid the turmoil gripping the Middle East. Much of the professional effort is devoted to documenting the destruction, rather than preventing it.”
In the face of this bleak—but frank—sentiment, it is nevertheless commendable that greater awareness is being raised for the value of our shared cultural heritage. Greater awareness can inspire more vigilance and better ideas for the protection of cultural property.
Speaking at the “Heritage in Peril: Iraq and Syria” event at the Metropolitan Museum of Art in New York on September 22, 2014, U.S. Secretary of State John Kerry said, “The fight to protect the cultural heritage of Iraq and Syria isn’t just about shared values. It’s about protecting a shared legacy […] ISIS forces the people of Iraq and Syria to pay for their cultural heritage in blood. We are determined instead to help Iraqis and Syrians protect and preserve their heritage in peace. That’s our common responsibility.”
Learn more about the archaeological looting of sites in the Middle East by reading the full article “Is It Possible to Protect Our Cultural Heritage?” by Hershel Shanks in the March/April 2015 issue of BAR.
BAS Library Members: Read the full article “Is It Possible to Protect Our Cultural Heritage?” by Hershel Shanks in the March/April 2015 issue of Biblical Archaeology Review.
Not a BAS Library member yet? Join the BAS Library today.
From Babylon to Baghdad: Ancient Iraq and the Modern West examines the relationship between ancient Iraq and the origins of modern Western society. This free eBook details some of the ways in which ancient Near Eastern civilizations have impressed themselves on Western culture and chronicles the present-day fight to preserve Iraq’s cultural heritage.
Related reading in Bible History Daily:
Biblical History at What Cost?
Hobby Lobby, the Museum of the Bible and the antiquities market
ISIS Destroys Antiquities in Mosul, Iraq
ISIS Captures Syrian City of Palmyra
ISIS Plants Explosives in Ancient City of Palmyra
Temple of Baal Shamin in Palmyra Blown Up by ISIS
Digital Humanities and the Ancient World
Sold to the Highest Bidder: Antiquities as Cash Cows
Endangered Heritage: Archaeological Looting in Turkey
This Bible History Daily feature was originally published on February 23, 2015.
Permalink: https://www.biblicalarchaeology.org/daily/archaeology-today/cultural-heritage/archaeological-looting-and-the-destruction-of-cultural-heritage/
Gwen is correct. Look how statues and such across the old South are being removed on the grounds they are offensive. See how the Ten Commandments fare, too. If one person is offended, the object is removed for fear of a multi-million dollar law suit.
In the United States, the heckler gets his veto in. Cultural objects be damned.
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